In Stock with our New/Used Market Vendor. Allow up to 30 days for delivery. Tracking is not available for this item. FREE Shipping is not available for this item. help
Seller Information
Tustin
Newport Coast, CA, USA

Pub. Date: 2005
Publisher: Aperture
Price: $44.02
Seller: Half Price Books Inc, Carrollton, TX, USA
Description: Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Condition: Very good

Pub. Date: 2005
Publisher: Aperture
Price: $44.02
Seller: Half Price Books Inc, Carrollton, TX, USA
Description: Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Condition: Very good
Other Available Formats Seller Information Price Robert Adams: Why People Photograph: Selected Essays and Reviews [Paperback] Adams, Robert (paperback)
Pub. Date: 2005
Publisher: Aperture
Condition: Good
Notes: Size: 5x0x8; Book with moderate shelf wear, rubbing, fraying, tears, fading, chipping, and bumping to dust cover board edges, corners, and spine. Binding is tight and square. Interior pages has minimal highlighting. Buy with confidence!
Sugarcane media
Sunrise, FL, USA$44.33 Robert Adams: Why People Photograph: Selected Essays and Reviews (paperback)
Pub. Date: 2005
Publisher: Aperture
Condition: Very good
Tustin
Newport Coast, CA, USA$116.98
A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Michael Schmidt, Ansel Adams, Dorothea Lange, and Eug¿¿¿ne Atget. The book closes with two essays on "working conditions" in the nineteenth- and twentieth-century American West, and the essay "Two Landscapes." Adams writes: At our best and most fortunate we make pictures because of what stands in front of the camera, to honor what is greater and more interesting than we are.