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Bonita
Newport Coast, CA, USA
Identity Politics in George Lucas' Star Wars (Trade paperback)Pub. Date: 2016
Publisher: McFarland & Company
Price: $36.16
Seller: Alibris, Sparks, NV, USA
Condition: New.
Notes: Trade paperback (US). Glued binding. 208 p. Contains: Halftones, black & white.
Identity Politics in George Lucas' Star Wars (Trade paperback)Pub. Date: 2016
Publisher: McFarland & Company
Price: $36.15
Seller: GreatBookPrices-, Columbia, MD, USA
Description: 100% Money Back Guarantee. Brand New, Perfect Condition. We offer expedited shipping to all US locations. Over 3, 000, 000 happy customers.
Condition: New.
Notes: Trade paperback (US). Glued binding. 208 p. Contains: Halftones, black & white.
Other Available Formats Seller Information Price Identity Politics in George Lucas' Star Wars (Trade paperback)
Pub. Date: 2016
Publisher: McFarland & Company
Condition: New.
Notes: Trade paperback (US). Glued binding. 208 p. Contains: Halftones, black & white.
Booksplease
Southport, MERSEYSIDE, GBR$41.66 Identity Politics in George Lucas' Star Wars (Paperback Or Softback) (Paperback or Softback)
Pub. Date: 3/2/2016
Publisher: McFarland & Company
Description: Identity Politics in George Lucas' Star Wars (Paperback or Softback)
Condition: New in New jacket
BargainBookStores
Grand Rapids, MI, USA$42.16 Identity Politics in George Lucas' Star Wars (paperback)
Pub. Date: 2016
Publisher: McFarland & Company
Description: Access codes and supplements are not guaranteed with used items. May be an ex-library book.
Condition: Good
Bonita
Newport Coast, CA, USA$54.75
George Lucas spoke about the didactic role of cinema and about his own work being presented through the "moral megaphone" of the film industry. A considerable body of scholarship on the six-part Star Wars series argues (unconvincingly) that the franchise promoted neo-conservatism in American culture from the late 1970s onward. But there is much in Lucas' grand space opera to suggest something more ideologically complex is going on. This book challenges the view of the saga as an unambiguously violent text exemplifying reactionary politics, and discusses the films' identity politics with regard to race and gender.