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Shibori the Inventive Art of Japanese Shaped Resist Dyeing : Tradition Techniques Innovation
by Wada, Yoshiko & Mary Kellogg Rice & Jane Barton & Mary Kellog

Overview -
"Potential for creating designs in textiles can be seen even in the physical properties of cloth. The simple fact that cloth tightly compressed into wrinkles or folds resists the penetration of dye is an opportunity--an opportunity to let the pliancy of textiles speak in making designs and patterns. People around the world have recognized this opportunity, producing resist designs in textiles by shaping and then securing cloth in various ways before dyeing. Yet in no other country has the creative potential of this basic principle been understood and applied as it has in Japan. Here, in fact, it has been expanded into a whole family of traditional resist techniques, involving first shaping the cloth by plucking, pinching, twisting, stitching, folding, pleating, and wrapping it, and then securing the shapes thus made by binding, looping, knotting, clamping, and the like. This entire family of techniques is called shibori. Designs created with shibori processes all share a softness of outline and spontaneity of effect. Spontaneity is shibori's special magic, made possible by exploiting the beauty of the fortuitous things that happen when dye enters shaped cloth. Usually it is in response to the fact that a craft is being lost that the need for preserving and documenting it arises. The motivation behind this book is no exception, but the authors have gone far beyond simple documentation. Extensive research and experimentation have led to the revival here of shibori techniques that were once well known but have now been largely forgotten in Japan. In addition to more conventional techniques, the work of contemporary fiber artists in Japan and abroad in shibori textile art and wearable art is presented, to suggest the extent of the creative innovation possible. The 104 color and 298 black-and-white plates include a photographic Gallery of Shibori Examples, based on Japan's largest collection of traditional shibori fabrics. Included also are a detailed guide to basic natural dyes used in Japan, the making and care of an indigo vat, and a list of suppliers in North America, as well as a glossary and bibliography. Now available in paperback, this full documentation of one of the world's most inventive and exciting dyeing techniques continues as a classic in the textile field."--Publisher's website.

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T A Borden Books
Olney, MD, USA

Shibori: the Inventive Art of Japanese Shaped Resist Dyeing Tradition Techniques InnovationShibori: the Inventive Art of Japanese Shaped Resist Dyeing Tradition Techniques Innovation (Hardcover)
Pub. Date: 1983
Publisher: Kodansha Amer Inc
Price: $74.80
Seller: Burke's Books, Eugene, OR, USA
Description: X-Library W/Usual Markings. Red Cloth Shows Some Edge/Corner Wear. Dj Has Mylar Laminate, Peeling In A Few Places, Some Edge Wear. Lg.
Condition: Good in Good jacket
Shibori: the Inventive Art of Japanese Shaped Resist DyeingShibori: the Inventive Art of Japanese Shaped Resist Dyeing (Hardcover)
Pub. Date: 06/01/1983
Publisher: Kodansha America, Inc
Price: $121.69
Seller: Greener Books, London, GBR
Description: **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence!
Condition: Good
 
 
 
 

More About Shibori the Inventive Art of Japanese Shaped Resist Dyeing by Wada, Yoshiko & Mary Kellogg Rice & Jane Barton & Mary Kellog
 
 
 
Overview

"Potential for creating designs in textiles can be seen even in the physical properties of cloth. The simple fact that cloth tightly compressed into wrinkles or folds resists the penetration of dye is an opportunity--an opportunity to let the pliancy of textiles speak in making designs and patterns. People around the world have recognized this opportunity, producing resist designs in textiles by shaping and then securing cloth in various ways before dyeing. Yet in no other country has the creative potential of this basic principle been understood and applied as it has in Japan. Here, in fact, it has been expanded into a whole family of traditional resist techniques, involving first shaping the cloth by plucking, pinching, twisting, stitching, folding, pleating, and wrapping it, and then securing the shapes thus made by binding, looping, knotting, clamping, and the like. This entire family of techniques is called shibori. Designs created with shibori processes all share a softness of outline and spontaneity of effect. Spontaneity is shibori's special magic, made possible by exploiting the beauty of the fortuitous things that happen when dye enters shaped cloth. Usually it is in response to the fact that a craft is being lost that the need for preserving and documenting it arises. The motivation behind this book is no exception, but the authors have gone far beyond simple documentation. Extensive research and experimentation have led to the revival here of shibori techniques that were once well known but have now been largely forgotten in Japan. In addition to more conventional techniques, the work of contemporary fiber artists in Japan and abroad in shibori textile art and wearable art is presented, to suggest the extent of the creative innovation possible. The 104 color and 298 black-and-white plates include a photographic Gallery of Shibori Examples, based on Japan's largest collection of traditional shibori fabrics. Included also are a detailed guide to basic natural dyes used in Japan, the making and care of an indigo vat, and a list of suppliers in North America, as well as a glossary and bibliography. Now available in paperback, this full documentation of one of the world's most inventive and exciting dyeing techniques continues as a classic in the textile field."--Publisher's website.

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Details
  • PID: 10734315391
  • ISBN-13: 9780870115592
  • Publisher: Kodansha America
  • Seller: T A Borden Books
    Description: 0870115596.
    Condition: Near Fine in Fine dust jacket
    Notes: Name on endpaper inked out else nice; Inscribed by author; Folio 13"-23" tall; 304 pages.